Portrayal of Women in Satyajit Ray’s Films

Prof. G. P. Pandey; Ms. Sandipa

doi:10.65301/ijcd.2013.3.1.1

Articles Vol. 3 Issue 1 Apr - Jun 2013

DOI 10.65301/ijcd.2013.3.1.1

Portrayal of Women in Satyajit Ray’s Films

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Published 2013-04-30

Pages 01-05

Abstract

The present study attempts to explore the transition of traditional women characters towards modernity or how modern they are in Satyajit Ray’s films or are they oscillating between the tradition and modern. Many scholars have found Nehruvian aspirations and visions for a modern India in Satyajit Ray’s early films made up to 1964. Further both these men have one thing in common, the aspirations for fusion of east and west .So, the researcher has chosen APORAJITO and CHARULATA to examine Satyajit Ray’s vision of transition of 19th century women from tradition to modernity

References

1. Agarwal, S. (2009) Films and Feminism,ed Jasbir Jain et al .,Rawat Publication, Jaipur
2. Chakrabarti, D. (2009) Films and Feminism ,Rawat publication, New Delhi,
3. Chatterjee, M. (2009) Films and Feminism, Rawat publication, New Delhi
4. Chattopadhya, A. (1980) Chalacchitra, SamajaOSatyajit Ray. Pratibhas,Kolkata
5. Chowdhury ,A.(1982).SatyajiterParibarORabindranath.Kolkata:NabapatraPrakasan,
6. Cooper,D. (1999) The Cinema of Satyajit Ray: Between Tradition and Modernity. Cambridge University Press.
7. Cowie, E. (1997) Representing the Women:Cinema and Psychoanalysis, London, Macmillan Pvt.Ltd,
8. Das Gupta ,C. (1992)The cinema of SatyajitRay, National Book Trust, New Delhi
9. Das Gupta ,C. (1981) Film India Satyajit Ray, Bombay, Tata Press, 1981
10. Das, S. (ed.) (1988) Satyajit Ray: An Intimate Master. Allied Publishers,
11. Felski, R. (1989),The Dialectics of Feminism and Aesthetic – Beyond Feminist Aesthetic, Literature and Social change, Harvard University Press
12. Ganguly, S.(2011)Satyajit Ray: In Search of the Modern. Penguin Books (India)
13. Ghosal ,K. (2010)Cinema, Emergence, and the Films of Satyajit Ray,University of California
14. Mathur, V. (2009) Films and Feminism ,Rawat publication, New Delhi,
15. Mukhopadhyaya, D.(1986) Satyajit. Kalakata: Banisilpa,
16. Mulvey , L. (1975) Visual Pleasure and narrative Cinema , Screen 16.3
17. Nyce , B. (1988) Satyajit Ray: a study of his films. New York: Praeger,
18. Prince,S. (1996)The discourse of pictures : iconicity and film studies ,Film Quartery,Vol-49,University of California,
19. Ray, S. (1994) My years withApu. New Delhi / New York. Viking,
20. Ray, S. (1976) Our films, their films. Bombay, Orient Longman,
21. Ray S. (1981) An anthology of statements on Ray and by Ray. New Delhi: Directorate of Film Festivals, Ministry of Information and Broadcasting
22. Robinson, A. (1989) Satyajit Ray: A Vision of Cinema, University of California Press
23. Robinson, Andrew. (1990) Satyajit Ray : The Inner Eye. Calcutta, Rupa& Co.,
24. Sarkar, B.(1992)The World of Satyajit Ray, New Delhi, UBSPD,
25. Seton, M.(1971)Portrait of a Director: Satyajit Ray, London, St Ann's, Press
26. Stan, R. (1989) The Cinematic Text: Methods and Approaches, ed R.Barton Palmar , New York , AMS Press

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Prof. G. P. Pandey, Ms. Sandipa . (2013). Portrayal of Women in Satyajit Ray’s Films. International Journal of Communication Development , 3(1), 01-05.

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International Journal of Communication Development

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[1] 1. Agarwal, S. (2009) Films and Feminism,ed Jasbir Jain et al .,Rawat Publication, Jaipur

[2] 2. Chakrabarti, D. (2009) Films and Feminism ,Rawat publication, New Delhi,

[3] 3. Chatterjee, M. (2009) Films and Feminism, Rawat publication, New Delhi

[4] 4. Chattopadhya, A. (1980) Chalacchitra, SamajaOSatyajit Ray. Pratibhas,Kolkata

[5] 5. Chowdhury ,A.(1982).SatyajiterParibarORabindranath.Kolkata:NabapatraPrakasan,

[6] 6. Cooper,D. (1999) The Cinema of Satyajit Ray: Between Tradition and Modernity. Cambridge University Press.

[7] 7. Cowie, E. (1997) Representing the Women:Cinema and Psychoanalysis, London, Macmillan Pvt.Ltd,

[8] 8. Das Gupta ,C. (1992)The cinema of SatyajitRay, National Book Trust, New Delhi

[9] 9. Das Gupta ,C. (1981) Film India Satyajit Ray, Bombay, Tata Press, 1981

[10] 10. Das, S. (ed.) (1988) Satyajit Ray: An Intimate Master. Allied Publishers,

[11] 11. Felski, R. (1989),The Dialectics of Feminism and Aesthetic – Beyond Feminist Aesthetic, Literature and Social change, Harvard University Press

[12] 12. Ganguly, S.(2011)Satyajit Ray: In Search of the Modern. Penguin Books (India)

[13] 13. Ghosal ,K. (2010)Cinema, Emergence, and the Films of Satyajit Ray,University of California

[14] 14. Mathur, V. (2009) Films and Feminism ,Rawat publication, New Delhi,

[15] 15. Mukhopadhyaya, D.(1986) Satyajit. Kalakata: Banisilpa,

[16] 16. Mulvey , L. (1975) Visual Pleasure and narrative Cinema , Screen 16.3

[17] 17. Nyce , B. (1988) Satyajit Ray: a study of his films. New York: Praeger,

[18] 18. Prince,S. (1996)The discourse of pictures : iconicity and film studies ,Film Quartery,Vol-49,University of California,

[19] 19. Ray, S. (1994) My years withApu. New Delhi / New York. Viking,

[20] 20. Ray, S. (1976) Our films, their films. Bombay, Orient Longman,

[21] 21. Ray S. (1981) An anthology of statements on Ray and by Ray. New Delhi: Directorate of Film Festivals, Ministry of Information and Broadcasting

[22] 22. Robinson, A. (1989) Satyajit Ray: A Vision of Cinema, University of California Press

[23] 23. Robinson, Andrew. (1990) Satyajit Ray : The Inner Eye. Calcutta, Rupa& Co.,

[24] 24. Sarkar, B.(1992)The World of Satyajit Ray, New Delhi, UBSPD,

[25] 25. Seton, M.(1971)Portrait of a Director: Satyajit Ray, London, St Ann's, Press

[26] 26. Stan, R. (1989) The Cinematic Text: Methods and Approaches, ed R.Barton Palmar , New York , AMS Press