Classical performing art forms of India have always been the most ancient communication forms and have nourished under the shelter of either the religious centers or the court of the rulers. The aesthetic pleasure of enjoying a classical performance was not accessible to common people. The situation changed around 19th Century when some classical music connoisseurs started organizing classical music programmes outside the vicinity of princely courts and temples. There may have been many reasons to do so. Some of them had the motto of reviving and upholding heritage of Indian art forms and through it propagating and holding to Indianness among the British ruled Indian people. Some did so simply out of love for these art forms. Whatsoever were the mottoes of these people, their efforts resulted in wide propagation of Indian Classical Music and Dance. This paper has tried to document some of the prominent and popular mass scale Music festivals that have not only been efficient tools of communicating with the masses but have also kept our country vibrant with the sound of music, and thus uphold the age-old heritage of intangible art form – the Indian Classical Music.
The Public Performances of Indian Classical Music in 19th and 20th Century
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Published 2021-12-30
Pages 82-50
Abstract
Keywords
Communication through music
Indian Classical Music
Performance
Sammelan
Music Festival
Music Conference
concert
References
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