Abstract
This paper explores the evolving representation of women in the sports genre of Hindi cinema, highlighting a significant shift from stereotypical depictions of passive female characters to more nuanced portrayals of empowered women athletes. Through a narrative analysis of three films—Panga (2020), Rashmi Rocket (2021), and Shabaash Mithu (2022)—the study examines how contemporary
filmmakers employ gender-sensitive techniques to create complex female protagonists who navigate societal challenges, including class, caste, and patriarchal norms. These films reflect the emergence of the "new woman" trope, which counters traditional narratives of victimization and objectification, portraying women as independent, capable, and assertive in their respective sports. The paper also discusses the broader implications of these cinematic shifts for gender representation in Indian sports films.
Keywords
References
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